Home
Posture Program
Peak Performance
posture
fitness programs
exercise workouts
sports injury
muscles & fitness
running
back pain
alexander technique
FREE downloads
the zone
Performance Paradox
sports store
links
fitness articles
FREE fitness ezine
build a fit website
contact me
sitemap
about me
my blog
FAQs
search site
 

Poise, Posture And Performance


poise in action
"You should see me in the water!"

Poise, Posture And Performance
Chapter 8


Poise is not acquired through conventional exercises that generally concentrate on the muscle. As discussed earlier in this section, many exercises lead to loss of poise through the piecemeal approach to developing individual muscles or muscle groups in isolation. Poise comes with an understanding and experience of free movement.

Balance is vital for poise. The common response to perceived loss of balance is to stiffen in order to prevent a fall. We need to feel at ease with movement to remove the fear of falling. When we use inappropriate corrective actions in response to a perceived loss of balance we increase the risk of a fall. The grace exhibited by practitioners of the martial art Aikido (see 4.6) is due to their ability to fall without fear of injury.



Regardless of the condition of the nervous system, balance can be improved by learning how to eliminate the unnecessary preparatory acts that we usually associate with a given movement. Applying the wrong kind of effort leads to a misuse of our mechanisms for movement – see later. Once our complex systems for balance are impeded all resulting muscular actions will be corrupt and inappropriate. Poise can only be attained when the habit of interfering with the mechanisms for balance is removed, see later in this section.

aikido - poise in action

Fig 8.1 Poise in action. Practitioners of the martial art aikido
learn to move without unnecessary tension.

Improving Performance

There is more to improving performance than just improving fitness or strength. It is about making the right decisions and acting in a suitable manner on those decisions. This necessitates the need for accurate information. The effect on an athlete without poise is twofold as the condition corrupts data coming via the senses and subsequently impedes the resulting action.

One point worth considering in relation to performance is that we receive precious little information on what happens in the process of a movement. Dr T.D. Roberts, a neuro-physiologist writes in his book Understanding Balance: -

"There is a good deal of complicated machinery involved between the decision to make a particular voluntary movement and the actual development of the necessary forces to pull appropriately on the bones of the skeleton ….. None of the stages in the linking machinery is accessible to conscious experience."


In other words, we cannot know exactly how we perform a move. What Roberts is implying here is there are too many variables in maintaining balance for us to be able to do it consciously. We should therefore be wary of 'doing' too much in relation to movement as we could interfere.

Feedback following a movement tells us only that it was completed not how it was accomplished. This is pertinent to performance enhancing techniques. Athletes are encouraged to remember what a good movement feels like (kinaesthetic feedback). However, as Dr Roberts states there are a number of variables influencing the outcome of a movement that are not made available to us. We could repeat a number of identical moves that feel the same but use varying amounts of effort and muscular involvement.

Alternatively, movements executed with identical actions could feel different. Because we cannot be sure of what efficient movement feels like we are limited to how we can directly influence it. A more subtle indirect approach is needed to ensure optimum movement. The main threat to poise is the habit of trying too hard. As Alexander once said to a pupil: “You can’t change the course of Nature by co-ordinating yourself!“ Unfortunately, as experience has taught us, it can be difficult to change a habit.

Nature devised an efficient way to achieve balance in an upright stance by utilising gravity. This is achieved by a mechanically advantageous lever configuration at the opposite end to the feet, i.e. the head and neck.

The Control Mechanisms

It would be impossible to directly control and co-ordinate all actions necessary for even the simplest of movements. We have developed a number of mechanisms, such as postural reflexes, to maintain balance and enable movement.

Specialised centres of the brain act upon information received with regard to the position of the body in relation to gravity. The regulation of these mechanisms is at a level below consciousness for one obvious reason, that is, if we had to control each muscle individually it would take hours just to get out of bed in the morning!

Alexander discovered what he called the Primary Control. He found the dynamic relationship between the head, the neck, and the torso had a major influence on the co-ordination of the whole organism in conjunction with the balance organs. He wrote: -

"I discovered that a certain use of the head in relation to the neck, and of the head and neck in relation to the torso and other parts of the organism, if consciously and continuously employed, ensures, as was shown in my own case, the establishment of a manner of use of the self as a whole which provides the best conditions for raising the standard of the functioning of the various mechanisms, organs, and systems. I found that in practice this use of the parts, beginning with the use of the head in relation to the neck, constituted a primary control of the mechanisms as a whole, involving control in process right through the organism, and that when I interfered with the employment of the primary control of my manner of use this was always associated with a lowering of the standard of my general functioning."


Try the following experiment.

1. Look down at your feet, walk forward and make a note of how this feels such as how heavy is foot contact with the floor.

2. Now put your fingers into the groove just behind your ear lobes. In between your fingers and almost level with your eyes is the top of your spine where you head sits. This is much higher and forward than most people would guess.

3. Now look ahead and walk forward once more keeping in mind where your head is balanced on your spine. This may feel different because the head is now sitting on top of the spine and requires little work from the neck and shoulder muscles to keep it there. Previously when we looked down at the floor this would have taken us off balance and put strain onto joints where it should not have been.


Observe most people walking or running and you will see heads held in a number of positions though rarely left free to balance.

The muscles of the neck play a vital role in maintaining balance and controlling movement. Medical scientist Dr David Garlick has conducted a number of studies on The Alexander Technique and describes in his book, The Lost Sixth Sense (1990), what happens when a local anaesthetic is injected into one side of the subject neck muscles: -

".. the person reported he felt drawn to one side ‘like a bar of iron to a strong magnet’. The subject was unable to walk with any co-ordination but very much like a drunken person. When lying down he felt as if ‘the couch was toppling over toward the side of the injection."

He continues.....

"This is dramatic evidence of how important sensory nerve inputs from neck muscles are, affecting as they do the brain’s control of posture and movement. The effect of neck muscle inputs are comparable in importance to the inputs from the organs of balance in the inner ear (semi-circular or vestibular canals).

The head contains the important special sensory organs of sight, hearing, smell and taste. As stimuli act on these senses, the head is turned to detect better a particular stimulus. Any movement of the head is detected with exquisite sensitivity by the neck muscle receptors. The strong inputs from the neck muscles then affect the muscles of the trunk and limbs to prepare the person to respond to the stimulus."

The high concentration of muscle spindles in the muscles attached to the base of the skull give an indication of their importance to the nervous system. Their role is thought to be that of feeding back information on the position of the head enabling the righting reflexes to maintain body position in relation to its movement (see Fig 8.2). This explains why the neck hold is so effective in combat sports as it can immobilise a contestant, the same technique can apparently be used to restrain a bull!

head reflexes and posture

FIG. 8.2 Excessive tension in trapezius can effect the balance of the whole structure (see FIG 8.3)
KEY
FP – Frankfort Plane
L1 – Naturally lengthened spine
L2 – Shortened spine

M1 – Sub occipital muscles
M2 – Sternocleidomastoid


good and bad posture

Fig 8.3 Once innapropriate muscular activity pulls the head off balance, muscles are called upon to compensate to prevent the structure from toppling over. In movement this compensatory activity leads to inefficient use of muscle.


The complex reflexes of this region can be impaired by excessive tension in the neck muscles. For example the deeper, highly sensitive sub-occipital group of muscles cannot adequately be lengthened, thus activating the stretch reflex, if the outer trapezius is pulling the head back, see fig 8.1. Because the stretch reflex is fundamental to movement, the efficiency of any action is reduced if initiated by stiffening the neck.

Recent studies have highlighted the importance of the sub-occipital muscles on the function of muscles in the lower back and legs( Pollard & Ward (1997)).

The weight of the head on the spine acts as a first class lever to counteract gravity. If the head is allowed to balance, that is unimpeded by unnecessary activity in the neck and shoulder muscles, its weight provides an upward pull on the attached muscle increasing tone. The slight forward rotation of the head on top of the spine increases the distance between the back of the skull (occipital and mastoid bones) and the vertebral column, sternum and clavicle. This stretches the muscles attached at these points eliciting the stretch reflex. An increase in muscle tone supports the structures beneath, reducing the amount of unnecessary tension.

Rather than holding up the body in individual segments, the structure is supported effectively from above - courtesy of gravity. When the head is balanced its weight is transferred down the spine as nature intended, calling into play the hydraulic property of the intervertebral discs. The lengthening of the spine increases flexibility, improves muscle tone and the ability to absorb shock.

The next chapter looks at the core muscle myth!




Previous chapter:
Do We Need Exercise To Improve Posture?


Next chapter:
Core Exercise Training: Essential Or Potentially Damaging?


Return to Contents







Want to ask a question?
You have just read the chapter, 'Poise, Posture And Performance', from my book The Performance Paradox online. If there is anything on this page that you would like to follow up please feel free to contact me

Roy Palmer




Copyright www.fitness-programs-for-life.com poise, posture and performance

footer for poise page